Die Kurzprosa von Andrej Čebokli /
Die Skizzen von Andrej Čebokli sind kurz und fragmentarisch, einige gehen schon in die Gedichtprosa über. Aus der Stilanalyse von Čeboklis Skizzen geht hervor, dass er symbolisch-allegorische Stilverfahren sowie Telegrammstil verwendet hat. Zu charakteristischen Stilzügen seiner Skizzen gehören Mono...
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| Format: | Book Chapter |
| Jezik: | German |
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| Sorodne knjige/članki: | Vsebovano v:
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| Izvleček: | Die Skizzen von Andrej Čebokli sind kurz und fragmentarisch, einige gehen schon in die Gedichtprosa über. Aus der Stilanalyse von Čeboklis Skizzen geht hervor, dass er symbolisch-allegorische Stilverfahren sowie Telegrammstil verwendet hat. Zu charakteristischen Stilzügen seiner Skizzen gehören Monologe, schlichte, manchmal irreale Dialoge, groteske Visionen, visualisierte Metapher für seelische Zustände und Klang, biblisch-allegorische Bilder und Symbolik, Symbolik des Blutes und Schrei, intensive Farbsymbolik und Farbmetaphorik (rot, schwarz, weiß), Farbsynästhesien (rotes Lachen, rot lachen, weißes Lachen), Klang- und Farbkontraste, groteske Personifikationen der Natur und des Menschen. Andrej Čebokli (1893-1923) is a representative of Slovene Expressionism in the prose, the beginnings of which in the initial phases of the First World War developed with the Catholic periodical Dom in svet (Home and the World). Andrej Čebokli began as a poet, but he soon switched to short prose, and in the course of his short life published about 15 novelettes. Slovene literary theory describes him as a representative of the early Slovene Expressionismen, but it was not until recently that he was treated more in detail. As an officer of the Austrian army, Čebokli took part in several fronts, spending most of the time in various military barracks due to severe rheumatism. The suffering and dying of soldiers in military hospitals is thus the central theme of his novelettes, and in the background of war other expressionist toposes are revealed such as dichotomy at the level of man versus woman, body and soul, life and death, silence and scream. Čebokli's novelette is lyrically fragmentary, displaying characteristics of telegraphic and allegorically-symbolic style. Metaphorically speaking, Čebolki's novelettes are rich, frequently with grotesque visions, visualisations of emotional states, sound, and characterised by intensive colour metaphors and symbols, and awe-inspiring colour-sound synestheses and grotesque personifications. |
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| Fizični opis: | str. 171-177. |
| Bibliografija: | Bibliografija: str. 176-177. |
| ISSN: | 1330-917X |